Potsdamer Strasse A

Potsdamer Strasse A



Kupferstichkabinett, Staatliche Museen zu Berlin

“Things have to become so familiar to me that they become insigni cant. It is only then that I can work with them.” This also applies to the view from his studio, an old factory façade. Countless circular grooves let an image emerge from the wooden surface. Or as Mansen puts it,

“I don’t cut lines, I cut light.”

(Henni Kristin Wiedemann, Berlin)

Further information at www.aurelscheibler.com

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